Today The Anti-Group Communications, or T.A.G.C. are a faction project of Clock DVA. Formed in the betimes 1980s by Adi Newton (although the idea existed as early as 1978), T.A.G.C. (originally The Anti-Group) was conceived of the same kind with an open-membership experimental multimedia collective, focused put ~ audio, visual, and textual research and production, as well as performance art and installations. … N’Joy
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Clock DVA are ~y industrial, post-punk and EBM group from Sheffield, England. The group was formed in 1978 ~ the agency of Adolphus “Adi” Newton and Steven “Judd” Turner. Along with contemporaries Heaven 17, Clock DVA’s call by ~ was inspired by the Russian-influenced Nadsat of Anthony Burgess’ A Clockwork Orange; Dva is the Russian expression. for “two”.
Newton had previously worked with members of Cabaret Voltaire in a collective called The Studs and by Ian Craig Marsh and Martyn Ware in a binding called The Future. He formed the foremost lineup of Clock DVA in 1978 through Judd Turner (bass), David J. Hammond (guitar), Roger Quail (drums) and Charlie Collins (saxophone, clarinet) (born 26 September 1952, Sheffield). Clock DVA was originally known instead of making a form of experimental electronic harmony involving treated tape loops and synthesizers in the same state as the EMS Synthi E. Clock DVA became associated by industrial music with the 1980 freedom of their cassette album White Souls in Black Suits up~ the body Throbbing Gristle’s Industrial Records.
Paul Widger joined steady guitar. The LP Thirst, released up~ Fetish Records, followed in 1981 to a favourable important reaction, knocking Adam and the Ants’ Dirk Wears White Sox from the utmost height of the NME Indie Charts, by which time the band had combined musique concrète techniques through standard rock instrumentation. “4 Hours”, the isolated from Thirst, was later covered ~ means of former Bauhaus bassist David J steady his 1985 solo EP Blue Moods Turning Tail.
The belt split up in 1981, with the non-primordial members of the band going attached to form The Box. Turner died in September 1981 becoming to an accidental drug overdose. In 1982, Newton formed a commencing version of the band. First releasing the upright “High Holy Disco Mass” on the greater label Polydor Records under the note DVA, the band then released the album Advantage (with singles “Resistance” and “Breakdown”) under the character Clock DVA. After a European round in 1983, however, the band rive acrimoniously. Adi Newton went on to cut The Anti-Group or T.A.G.C. They released diverse albums continuing in a similar vein to the early Clock DVA, now more experimental.
In 1987, Newton reactivated DVA and invited Dean Dennis and Paul Browse back into the pen to aid Newton’s use of computer aided sampling techniques which he had been developing in The Anti Group. They released Buried Dreams (1989), an electronic album which (along with its unbiassed “The Hacker”) received critical acclaim of the same kind with a pioneering work in the cyberpunk genre. It is too rumored to have been the CD fix in Jeffrey Dahmer’s stereo at the time of his restrain, according to a 1990s piece published ~ the agency of Alternative Press. Browse left the group in 1989 and was replaced ~ dint of. Robert E. Baker. The album Man-Amplified (1992), an exploration of cybernetics, was the next release. Digital Soundtracks (1992), an conducive album, followed.
Following Dennis’s demise from the group, Newton and Baker produced the album Sign (1993). After the free of Sign and related singles, Clock DVA toured Europe (cord-up: Newton & Baker with Andrew McKenzie and Ari Newton) and Newton relocated to Italy. However, their Italian enroll label at the time, Contempo, folded what one. caused a number of problems. Collective, every anthology album and a box posture was released in 1994. Newton began working on new material with Brian Williams, Graeme Revell (from SPK) and Paul Haslinger on the other hand continued problems with record labels eventually caused Newton and Clock DVA take a throughout break from the music scene.
In 1998, Czech memorandum label Nextera released a reissue of Buried Dreams, sanctioned through Dean Dennis and Paul Browse moreover not by Newton. Adi Newton reactivated Clock DVA together with his creative partner Jane Radion Newton in 2008. Since 2011 Clock DVA has performed at manifold electronic music festivals and venues everywhere Europe  with a unaccustomed line-up consisting of Newton, Maurizio “TeZ” Martinucci and Shara Vasilenko. In November 2011, a novel Clock DVA track “Phase IV” was featured up~ the body Wroclaw Industrial Festival compilation album. In January 2012, German memorial label Vinyl on Demand announced Horology, a vinyl box place compilation of early (1978–1980) Clock DVA physical.
A historical overview exhibition of Clock DVA (photographs, video and audio) took set at the Melkweg cultural centre, Amsterdam, Netherlands in February/March 2012. In July 2013, a of the present day Clock DVA album called Post-Sign was released up~ Anterior Research. It was produced and tranquil by Adi Newton in 1994–95 to the degree that an instrumental companion album to Sign, allowing it remained unreleased at that time owing to problems with record labels. According to Adi Newton, Mute Records were sharpen to re-release the eight Clock DVA albums remastered in a box place upright in 2012.
In 2014, Clock DVA released the album Clock 2 in c~tinuance a USB drive through their label Anterior Research. This limited impression release consists of 3 new workshop tracks and various remixes of them, in joining to 4 video files. A 12″ called Re-Konstructor / Re-Kabaret 13 was released briefly after. Another EP, Neo Post Sign, containing tracks recorded 1995-96 unless omitted from the Post-Sign album, was released soon 2015.
Initially conceived by Adi Newton of Clock DVA in the a day after the fair ’70s as a multimedia performance shoot forward, the Anti Group, later known by the initials T.A.G.C. (the C stands as far as concerns “Conspiracy,” “Collective,” or “Communications”) showcased Newton’s to a greater degree experimental side. the Anti Group didn’t turn to more than theoretical mumbo-jumbo to the time when after Newton departed Clock DVA in the middle-’80s. The loosely defined group, consisting of Newton through D.A. Heppenstall, D.F. D’Silva, B.R.D.L. Harden, Mark Holmes, Robert Baker, and Oskar M, debuted at the Atonal Festival in Berlin in February 1985, through a multimedia show called The Delivery that was later that year released for example an LP. Also that year aphorism the release of the 12″ isolated “Ha/Zulu” with help from members of Cabaret Voltaire.
T.A.G.C. audio recordings are released ~ward Newton’s Anterior Research Recordings label. The theoretical underpinnings of these recordings, that are often primarily psychoacoustic experiments or carefully constructed aural rituals, are made express in the lengthy liner notes that accompany most releases. Whereas early records trouble-pollinated improvised jazz with industrial, one and the other subsequent release, now under the T.A.G.C. pennon, experimented in some new direction. The score on Digiteria, with many of the identical crew as The Delivery, is based about ancient magic cults and tribal rhythms, considering that Teste Tones offered minimalist electronic experiments. The try the depth of-and-visual project Burning Water, likewise from this time and released up~ the body CD several years later, offers a in a great degree more ambient sound.
Throughout the a day after the fair ’80s T.A.G.C. released a contain of 12″ singles that were eventually compiled ~ward the CD Audiophile, along with ~y EP. These slabs of experimental electronic rhythms, negligently more accessible than the full-lengths, eventually distinct to the direction Newton would bottom once Clock DVA was re-formed in 1988. Since 1990, with the prolific DVA consuming more of Newton’s time, without more one further T.A.G.C. album has seen lamp, the CD Iso-Erotic Calibrations, recorded from one side to the other three years and released in 1994.
In 2005, a maxi CD ‘Psychoegoautocratical Auditory Physiogomy Delineated’ was released taken in the character of T.A.G.C. without Adi Newton’s involvement or approval. After years of secrecy, Adi Newton with his creative colleague Jane Radion Newton re-activated T.A.G.C. on the side of a live multimedia performance at Equinox Festival, London in June 2009. In 2013 T.A.G.C. performs at the Incubate festival in Tilburg, The Netherlands.
The acronym T.A.G.C. is in like manner intended to represent the four nucleotides that favor up DNA (thymine, adenine, guanine and cytosine).
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The Anti Group Conspiracy (or Collective or Communications), one offshoot of Clock DVA, was started through Adi Newton of that band to delve into much more experimental territory. This highest studio full-length, originally released up~ the body the Sweatbox label in 1986, offers a in greater numbers fully realized concept than the earlier live struggle, The Delivery, as the influences of pristine cults and secret societies are added to the industrial jazz sound. The avant-jazz shrink back is still evident on tracks like “Balag Anti,” on the contrary much of the album offers eerie, cavernous soundscapes in the Lustmord vein, through dripping and creaking noises or criminal distant voices, though ritualistic rhythms append a new dimension to this intermingle. Even more sinister, the piece “Pre-Eval” starts done with an ominous voice speaking almost man and death. The narration becomes greater degree of distorted and chaotic with effects as the speaker draws deeper into Bataille-esque misanthropy till the track erupts into a infamous funk groove, and than this eventually breaks from the top to the bottom of into a more savage tribal ink-fish , to further emphasize the dark aggregate of phenomena of man in the spoken language. Though not nearly as visceral, the rest of the album, from the spazzed-to the end jazz of “Chozzar Over Abyss” to the greater degree ambient sections, is imbued with some incredibly sinister atmosphere for a cohesive act that is oddly beautiful.
T.A.G.C. – Digitaria (flac 336mb)
01 Blood Burns Into Water 3:04
02 Dog Star 4:23
03 Balag Anti 8:12
04 Chozzar Over Abyss 2:13
05 Pre-Eval 5:03
06 Ghost Cultures Under Collapse 6:59
07 Noosphere 8:12
08 Lux Nox 9:07
09 Tzaddi 1:27
10 The Abominable Plateau Of Leng 1:56
11 Sekhet 4:59
T.A.G.C. – Digitaria (ogg 134mb )
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Side A recorded December 13, 1986 in Tu Mensa, Atonal, Berlin. This toil was further manipulated and later entitled Teste Tones without interrupti~ the Meontological Research Recording Record 2 Teste Tones LP.Side B is every abridged live version of the soundtrack on account of a film called Burning Water, recorded February 14, 1987 in SO 36, Berlin. An awesome mindbending soundscape by disjointed speeded up vocal preamble. A later rendition of this track was issued without interrupti~ the Burning Water CD.
T.A.G.C. – Meontological Research 1 (flac 194mb)
A Sonochemistry 23:53
B Synthesis 54 (Burning Water) 23:43
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Much besides industrial than its predecessor ‘Meontological Research I’ and more distant more affecting. The start of the album, a marry seconds of a 40 hz buzz, a voice intoning, “This is single a test” and then another done against the state-pitched tone, certainly wouldn’t drive away that idea. The tone drones endlessly, is joined through a few others without compromising the excessive minimalist aesthetic, while the voice, which is also used on the besides dance-oriented 12″ single “Broadcast Test,” repeats. On this enroll, Adi Newton seems to have ditched greatest in number of the group from earlier efforts, being of the cl~s who well as the jazz elements, against a work of pure electronics. The third part track, “E.P.M.D.,” cuts ~n from the mode, as a clanking, alone-bones electro beat becomes the backdrop towards sirens, panicking voices, and other cessation sound bites. An even more fascinating lines of rails , “A.A.A.,” starts off through very simple repeating elements, and slowly layers besides on top until the piece achieves a abnormal tension of changing sounds similar to more of Steve Reich’s early tape experiments. The couple of longer tracks at the close are more in the minimal circling sonicscape that T.A.G.C. has granted elsewhere just as well, but forward the whole, this is a singular disc, psychedelic music for the 21st hundred. Still sounds as up-to-age as it did over 20 years gone.
T.A.G.C. – Meontological Research 2 (flac 296mb)
01 Test Tone – 40 Hz 5:59
02 Teste Tones 5:53
03 E.P.M.D. (Eroto–Psycho Motor Disturbances) 10:02
04 A.A.A. (Audio Alpha Activity) 0:06
05 Magnesia 5:04
06 Magnetic Pharmacology 17:41
07 A.A.A.A. (Accelerated Audio Alpha Activity) 4:38
T.A.G.C. – Meontological Research 2 (ogg 115mb)
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The prototype idea for The Anti Group was devised by A. Newton and S. J. Turner to the degree that early as 1978, with the intention of the formation of a multi-dimensional exploration & development project active in frequent relatedareas. Research and development of strong, film, video and performance and the documentation of both project was the fundamental “modus operandi”. Underlying this basic essence is the deeper philosophical and theoretical conceptuality; The Anti Group could subsist any given number of collaborators or participants. In this regard The Anti Group are free from the formats that obtain built in limitations, operating within this words immediately preceding The Anti Group are also clear from the erroneous problems of Ego. Audiophile contains eleven tracks from three singles and ~y EP, all previously released on 12″ (1985-1990), the whole of long deleted. With the exception of “Broadcast Test” this is the first time these tracks have been issued on CD. All tracks have been remastered by reason of this compilation.
The Anti Group – Audiophile (flac 385mb)
01 Ha 6:35
02 Zulu 6:23
03 Shgl 3:46
04 New Upheavil 5:56
05 F.E.M. 4:07
06 Morpheus Baby 6:26
07 Sunset Eyes Through Water 5:30
08 The Ocean 7:23
09 Big Sex 5:26
10 Big Sex II 8:09
11 Broadcast Test 5:44
The Anti Group – Audiophile (ogg 162mb)
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